For Independent Artists, Labels & Distributors

    Every artist has a story. We turn yours into royalties.

    Over a billion in royalties goes unclaimed every year. Not because artists don't deserve it. Because the system is designed for major labels, not you. We fix that.

    → Big money recovered for independent artists→ 90 seconds to fix what took others 18 months→ Works with ASCAP, BMI, MLC, SoundExchange, and international CMOs

    The major labels get paid. You don't. Here's why.

    Same songs. Same platforms. Same PROs. Different results.

    What Should Happen

    Your song plays on Spotify in Germany.

    → Spotify reports to GEMA

    → GEMA reports to your PRO

    → Money hits your account in 90 days

    What Actually Happens

    Your song plays on Spotify in Germany.

    → Spotify reports to GEMA

    → GEMA can't match your metadata

    → $0. Forever.

    Why

    • One missing co-writer.
    • One spelling mismatch.
    • No ISWC.
    • No connection between your release and PRO registration.

    The major labels have entire departments that prevent this. You're supposed to figure it out yourself. That's the game.

    $200/year + a share of what we find. You keep the rest.

    How It Works

    Pay $200 upfront (annual).

    The deal:

    • → We take a percentage of what we collect (your rate depends on your situation)
    • → You keep the rest of money you never knew existed
    • → No hidden fees. No thresholds. No BS.

    Aligned Incentives

    Because we know exactly where your money is. We've done this hundreds of times. The average artist has $4,000+ sitting in databases they don't even know exist.

    "CreateBase found $4,000 in my first month. Money from a #1 hit in Austria I didn't even know I was owed."

    — M.J., Rapper/Songwriter

    From "Where's my money?" to "Holy shit" in 90 seconds.

    Watch Story-to-Splits turn a conversation into registered rights across every PRO that matters.

    What just happened:

    • → Artist told us the story in plain English
    • → AI converted it to PRO-ready metadata
    • → We verified every co-writer, publisher, split
    • → Filed registrations across ASCAP, BMI, MLC, SoundExchange
    • Time: 90 seconds

    Other services take 6-18 months to do this. If they do it at all.

    Who We Serve

    We built the infrastructure the independent music economy actually needs.

    Major labels have Oracle databases and 47-person rights teams. You have us.

    Artists Who Are Tired of Getting Screwed

    For: Independent artists, producers, songwriters

    You made the music. You deserve the money. We handle rights administration, royalty recovery, and PRO registration so you can focus on the next song instead of fighting with bureaucracies designed to ignore you.

    What you get: Automated registration, royalty recovery, splits management, ongoing maintenance

    Distributors & Labels Who Want to Win

    For: Independent distributors, labels, managers

    Your artists chose you because you're not a major. But they still expect major-label results. Our white-label infrastructure becomes your competitive advantage.

    What you get: White-label rights administration, catalog audit capabilities, metadata enrichment, distributor-grade tools under your brand

    PROs & CMOs Who Process Billions

    For: ASCAP, BMI, MLC, CMOs globally

    You process billions in royalties. Bad data costs you millions in operational overhead and creates member disputes. We deliver clean, verified, first-party data that reduces conflicts and speeds processing.

    What you get: Metadata enrichment, conflict resolution, identity consolidation, first-party verification

    Licensing & Finance That Actually Works

    For: Sync agents, catalog buyers, financial institutions

    You can't license what you can't verify. You can't lend against catalogs with holes in the chain of title. Clean data unlocks derivative licensing and enables sophisticated financial instruments.

    What you get: Verified chain of title, clean splits data, audit-ready registrations, liquidity infrastructure

    Real artists. Real money. Really recovered.

    This is what happens when someone actually gives a shit about your metadata.

    M.J.

    Former Def Jam Artist | #1 Hit in Austria

    $4,000 recovered in first month

    "I had a number one hit in Austria and top 10 across Europe. I knew I wasn't getting paid right, but I didn't know where to look. CreateBase found it in 30 days."

    What we fixed:

    • → Missing international PRO connections
    • → Unregistered co-writers blocking payouts
    • → Metadata mismatches across European CMOs

    D.P.

    Hall of Fame Producer

    60% of catalog identified for repair | Big money in missing royalties

    "90% of my reverted works had never been registered properly. I've been in this industry 30 years. CreateBase found holes I didn't know existed."

    What we fixed:

    • → Reverted works never re-registered after rights returned
    • → Missing ISWC codes blocking international collection
    • → Publisher changes never updated with PROs

    M.H.

    100M+ Stream Artist | Musician, Singer, Producer

    100+ million collective streams | Complete MLC payment recovery

    "I have over 100 million streams but MLC payments were minimal. CreateBase audited my entire catalog and recovered what I was actually owed."

    What we fixed:

    • → Missing MLC registrations despite massive streaming success
    • → Incomplete catalog audit with previous service
    • → MLC payment recovery for self-released works

    Built by former

    HarvardOxfordStanfordY CombinatorDef Jam RecordingsUniversal Music GroupSony MusicWarner Music GroupDisneyNVIDIAAmazonThe OrchardUASynchtankSpotify

    Works with

    ASCAPBMIMLCSoundExchange

    Why this matters: We're not a tech company that "discovered music." We're music people who learned to code because the tools we needed didn't exist.

    Team

    Meet the people building CreateBase. Our founding team brings deep experience in music, law, AI, and product.

    Arsh Shah
    Arsh Shah
    CEO
    IP lawyer, legal technologist, and ex-artist manager with 10+ years across music, law, and AI. HBS, Computable Contracts at Stanford CodeX, Media Law at Cambridge, Computational Law at MIT. Ex–Sidley Austin. Led AI ethics at Australia's Department of the Prime Minister & Cabinet.
    Ada Zhao
    Ada Zhao
    Finance/Operations
    25+ years in finance, investments, and software. Deep experience in banking, asset management, IPOs, and M&A. Managed multi-million dollar budgets and cross-functional teams in both public and private companies.
    Jesse Buddington
    Jesse Buddington
    Product
    15+ years at the intersection of machine learning and music, with deep subject expertise in copyright law and music data. Co-founder of Loudr (acquired by Spotify), where he designed and built global rights management and licensing systems.
    Jason Jordan
    Jason Jordan
    Business Development
    30+ years in A&R, labels, publishing, and distribution. Co-founder of earthprogram, early Synchtank investor, ex-Managing Director at ONErpm North America.

    You're not bad at this. The system is designed to lose your money.

    Here's what actually happens to that over a billion in unclaimed royalties:

    Year 1: Your money sits in "pending" waiting for complete metadata

    Year 2: PROs try to match it, fail, try again

    Year 3: Money moves to "black box" unclaimed funds

    Year 4+: Distributed to major publishers based on market share

    Translation: Your money eventually goes to Sony, Universal, and Warner because they have the infrastructure to make sure their metadata is clean and yours isn't.

    This isn't a bug. This is the system working as designed.

    We're the fix.

    Why we succeed when you succeed.

    Other ServicesYou fill out forms
    CreateBaseYou tell us the story. AI does the translation.
    Other Services6-18 month processing
    CreateBase90 seconds to clean registration
    Other ServicesHope they get it right
    CreateBaseFirst-party verification + ongoing maintenance
    Other ServicesPay regardless of results
    CreateBase$200 + a share of what we find. We succeed when you succeed.
    Other Services"We submitted it"
    CreateBase"Here's exactly what we recovered and where it was stuck"
    Other ServicesGeneric industry knowledge
    CreateBaseBuilt by Def Jam, Universal, Sony, Spotify veterans

    Your royalties are out there. Let's go get them.

    For independent artists, labels, publishers, and distributors who are tired of losing to a system designed for someone else.

    5,000+ artists trust us with their royalties

    Big money recovered

    Built by artists + lawyers who got tired of watching money disappear